It creates a very dramatic effect and allows the music to breathe a little.
I love how he’ll play a stron rhythmic phrase and then leave a gap. You will learn this ostinato in the lesson below by the way. It’s really, really, really hard at first because the ostinato is in five four. Use this as an ostinato to solo over and it will greatly benefit your playing. Morello’s foot ostinato through the tune is kick drum on beat one, hi-hat pedal on beats two and four. You could use other strong rhythmic ideas in five four as well such as the Mission: Impossible Theme. It means I am much freer and much more musical as I can weave around that, play to it, play around it and even move fully away from it whilst still retaining my place in the bar. Instead I sing the piano chord rhythm from Take Five and play to that in my head. That method is really hard and really, really non-musical. When I solo in five four, where possible I don’t count five four. The ability to improvise freely over oddtime, and particularly five four, is thanks to this song.This song has helped my overall drumming in many ways that have transcended this style and seeped into many areas of my playing. He also uses a great little snare comping pattern that involves ghost notes and accents to create an interesting phrasing that complements the piano vamp really well.īut as if the awesome Take Five drum beat wasn’t enough, Morello also uses this song as a vehicle to create a very musical drum solo at the end. It’s a lovely little turn around and feels really good to play. Except now he has to add an extra quarter notes worth of pattern to fill the five four bar so we get that extra ride followed by two ghosted snares played as a triplet. Joe Morello creates a majestic flowing pattern for the Take Five drum beat by basing it on the traditional jazz ride pattern with two and four hi-hat pedals. But with enough practice it can flow as naturally as any other rhythm. If you haven’t then prepare yourself for the challenge because it feels very unnatural at first.
If you’ve tried playing in oddtime before then you know the challenge. The track Take Five is written in five four time signature, meaning there are five quarter notes in a bar rather than the usual four quarters that we find in four four time signature. The album was a big seller for a jazz album and the single Take Five became a top 40 Billlboard hit! It’s a great album that explores oddtime in a traditional jazz context with tunes such as ‘Blue Rondo à la Turk’, ‘Three to get ready’ and ‘Pick up sticks’. The tune was composed by the sax player in the band Paul Desmond and he performed that prominent sax melody as part of Dave Brubeck’s pioneering quartet when it was released in 1959 on the Time Out album. If you don’t then that’s also cool because you’re about to discover something very special which can help your drumming in so many ways. If you’re here reading this then you probably already know about Joe Morello’s drum beat in the Dave Brubeck classic track ‘Take Five’. It’s time to learn the Take Five drum beat people, and that’s a good thing. Take Five Drum Beat Lesson Learn Joe Morello’s Take Five Drum Beat
0 kommentar(er)
